Creative Liberation Newsletter  
December 2009
Vol. 1, No. 7
 
Get Ready for a Creative New Year!
In the week between Christmas and New Year’s Day, it seems almost compulsory to look back at the nearly complete calendar year and look ahead to the next one. But, regardless of their popularity, do resolutions actually help us create the life we want?
 
My feature article this month tackles that question. It also addresses the other side of the coin—the possibility that “going with the flow” might lead to just as much creative success as detailed planning and strategizing. Everyone is different – a list of resolutions may energize and motivate some folks, but the success of those who stay “in the moment” and follow their art wherever it takes them is no less valid.
 
Enjoy! If you have suggestions, reactions, etc., to this issue of the newsletter, please e-mail me at lizmassey68@hotmail.com.
 
 --Liz Massey
Big plans, flexible intentions
How to keep your creative resolutions, or succeed without them!
To make resolutions or not—is that the question?
 
My birthday is on New Year’s Eve, so it’s natural for me to add birthday-inspired contemplation about my life to the gravitational attraction that the end of the year seems to exert in the direction of taking stock of the year just passed, as well as anticipating the one that’s about to begin. And, let’s face it, creativity-related resolutions are always popular: there are plenty of people who would like to make 2010 the year they finish their novel, write a screenplay or perform their songs in public.
A couple of years ago, I wrote a New Year’s Eve post about making your creative goals a reality. I identified clarity, intent, and persistence as key to moving resolutions past the “wishful thinking” phase.Here are some bite-sized thoughts drawn from that post.
 
Key #1: Clarity. In the graphic design world, “resolution” refers to the clarity of an image. Being clear about what you want to achieve creatively is beneficial because it makes your next steps more obvious. “I want to be more creative in 2010″ is low on the clarity scale; “I would like to write a screenplay for a full-length feature film in 2010″ is clear and can help you figure out, based on where you are now, what the first steps toward that goal would be.
 
Key #2: Intent. If you succeed in keeping your resolution, what will that bring you? Robert Fritz, in his excellent book The Path of Least Resistance, asserts that knowing what you do want to achieve and combining that vision with a clear-eyed look at where you are now produces a “creative tension” that makes it much easier to propel yourself forward.
 
Key #3: Persistence. More than talent or natural ability, creative success depends on your ability to keep practicing your art, no matter how well or badly you feel things are going. Research by Martin Seligman, director of the University of Pennsylvania’s Positive Psychology Center, and others indicates that as much as 75 percent of lifetime success is determined by a person’s willingness to persist in the face of the setbacks that typically occur in any long-term endeavor.
 
There, now that you know how to set goals for your creative activity in 2010, I’m going to challenge the notion that you need to do it in a conventional manner.
 
Laura Spencer, writing on Freelance Folder blog, challenges freelance artists to get past the numbers-based goals they may set for themselves each year, such as increasing revenue by a certain percentage, or picking up 10 new clients, and ask themselves some probing questions about how the past year has really gone. Here are a couple of her questions that I find especially appropriate for creative folk in general …
 
“Am I doing the type of work that I really want to be doing? If you answered “yes” to this question, you can breathe a huge sigh of relief. However, if you answered “no,” then you have some work to do. You need to find out exactly what is keeping you from the work that you would really like to be doing. If it’s a lack of education or training, then getting that training should be one of your goals. If it’s your marketing efforts, then changing your marketing should be a goal.
 
“Which projects did I struggle with the most, and why? You can learn a tremendous amount from projects that didn’t go very well. Much of what you learn can be incorporated into your goals for the coming year. Make a list of what you think went wrong with the project. Was the client communication poor or lacking? If so, better client communication can become one of your goals. Was the service and/or product that your provided excellent? If not, better output should become a goal.”
 
Spencer’s post helps freelancers, and any working artist, stay focused on deeper questions of meaning when goal setting, even while they grapple with the very real need to apply business sense to what they do.
 
Even if you find that you’re satisfied with your goals for 2010, it’s entirely possible that you’ll come up with a weekly or monthly to-do list based on those goals that’s far too long to reasonably accomplish. In that case, you may want to also draw up a to-don’t list, which is simply a list of actions which you are currently doing which are not high priorities at this time, and which you are willing to forego doing, at least for the immediate future. When you make a to-do list, for new every item you add, be prepared to move at least one other item (and more likely two or three) to the to-don’t list.
 
Finally, another sage perspective on this whole goal-setting-at-New-Year’s business comes from Leo Babauta at Zen Habits blog. In a post penned earlier this year, Babauta asserts that being open to what emerges, rather than creating detailed blueprints for meeting our goals, can lower stress and remove the possibility of frustration and disappointment if those goals are not achieved. As he puts it,
 
“You don’t know what will happen, or what opportunities will arise, until you arrive at that moment. You can plan and plan and plan, but there is just no way to know how things will turn out. And if my plan doesn’t include an opportunity that I didn’t see coming, I might miss that opportunity. Sure, I could continually adjust my plans based on changing circumstances … but then, what’s the point of the plan?
 
“Instead, I have forgone the need to define outcomes, and have focused on enjoying the journey. That doesn’t mean I’m not motivated to do my best — I am — nor does it mean that I take a lackadaisical attitude toward my work (although I do get lazy, like anyone else). It means that I’m motivated by the work, that I enjoy the activity, not by the destination, goal or outcome.”
 
Enjoying the creative journey—now that’s a goal I think we can all get behind. However you prepare for the new year, I hope 2010 is filled with moments of creative enjoyment and delight for you!
Post haste
Recent blog posts you may have missed
A survey asking what gifts artists of all sorts wished for this holiday season.
 
A link round-up with great posts discussing burnout in design-related professions, a mathematical model of creative imitation and idea profusion, and the relationship between routines, systems and creative spontaneity.
Creativity @ Work
Exploring the intersection between art and livelihood
Designers John Maeda and Becky Bermont, writing at HarvardBusiness.org, argue that artists have plenty to teach entrepreneurs in terms of how they work.
 
Chuck Frey, writing on his InnovationTools blog, discusses and links to a podcast Seth Godin did with Mitch Joel in which Godin gave a preview of his book (due in Jan. 2010) "Linchpin: Are You Indispensable?"
Cross-pollination
Cool links to stimulate your brain
At the 2008 EG conference, famed puzzle designer Scott Kim takes his audience inside the puzzle-maker's frame of mind. Sampling his career's work, he introduces a few of the most popular types, and shares the fascinations that inspired some of his best.
 
From FastCompany.com. For the past year, David McCandless has immersed himself in the story-telling possibilities of charts, and the fruit of those efforts--works he's done, and works contributed by a slew of all-star designers--are now collected in The Visual Miscellaneum: A Colorful Guide to the World's Most Consequential Trivia.

The other stuff...
 
 

 
 Creative Liberation, Vol. 1, No. 7, December 2009, All Rights Reserved.

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